The impetus for my recent trip to England was a simple and rather offhand comment from an artist friend back last summer . . . “we should go to an art workshop in England!” She did have a specific artist and a specific workshop in mind at the time, but alas . . . that artist was moving to a new studio and wouldn’t be offering any in-person workshops for quite some time. Undaunted, my friend kept looking . . . but, ultimately, it was me who found the Bullclough Art School, located in the Peak District right in the middle of England.

Bullclough . . . is the brainchild of artist Nellie Shepherd and her husband, Andy. They purchased an old farmhouse and out-buildings on 8 acres of land near Leek and lovingly renovated them in gorgeous, stunning fashion. There is a main house (which is also Nellie and Andy’s home), a teaching studio, and a gallery on the property (complete with a collection of rescue sheep, alpacas, chickens, dogs and cats). It is an art school, a retreat center, and well . . . just a beautiful, amazing place.

The 3-day workshop we enrolled in was called Creating Contemporary Still-Life . . . and it was wonderful. It was truly a mixed-media extravaganza. While we mostly used acrylic paints on prepared MDF boards, we were also encouraged to try collage and various marking tools (or anything that interested us, for that matter).  I won’t go into too much more detail or the specifics (I know most of you are not that into painting, and I don’t want to be a bore here), but our days were absolutely packed. I have not been so exhausted (in that good, inspired-but-brain-dead kind of way) for a really, really long time.

There were 14 of us in the workshop. My friend and I were the only Americans; all the other students were Brits (although some had traveled quite far for the workshop). We felt welcome by the group, although . . . they did have quite a few questions for us. It was interesting to hear perspectives on (ahem) current events from real people who aren’t American, y’know?

Our first day was mostly . . . learning about what makes an interesting still-life, with emphasis on sketching (lots and lots of sketching) and composition. (Everything you do at Bullclough gets “put up” . . . on windows, walls, easels. It was so fun to see everyone’s work as the days unfolded.)

             

The second day was all about . . . choosing color palettes and mixing colors. (Messiest day ever.)

             

And on the last day . . . it was all about the painting! In these photos, you can see how some of my sketches turned into full-blown paintings.

             

             

It was just great fun . . . AND a fabulous learning experience. (I’m still waiting for my paintings to show up here at home. Patiently and hopefully.)

5 stars. Highly recommend.

(I’m in the process of setting up photo galleries in my Field Notes section. Eventually, you’ll be able to pop in and see lots of photos from my trip . . . should you be interested. I’ll let you know when it’s ready for viewing.)